1. |
Marina
03:42
|
|||
|
M A R I N A : SHE SLIPPED INTO THE SEA, CLOSED HER EYES, AND BREATHED IN ANYWAY / OH, MARINA, OH, MARIE / AT FIRST SHE FELT SO FREE, BUT WAS SURPRISED, WHEN SHE'D SAID ALL SHE COULD SAY / HE'D CONVINCED HER FINALLY TO TAKE THE DIVE, AND SUBMERGE HERSELF WITH HIM / BUT WHAT THEY DID NOT SEE WHEN THEY'D CONTRIVED, WAS THAT NEITHER COULD SWIM / HE HAD NOT MEANT TO HURT HER / OF THIS, OH, SHE WAS SURE
|
||||
2. |
Frankenstein
03:29
|
|||
|
F R A N K E N S T E I N : HE CRAVES TO SPARK A PULSE, AND AROUSE A CIRCULATION / TURN HIS BACK ON FELLOW MAN, TO BE TAKEN BY HIS CREATION / WHAT HE WOULD DO TO TURN THE GEARS IN THE MECHANISM OF MY MOUTH / AND ANIMATE MY BONES AND FLESH SO HE MIGHT WATCH ME MOVE ABOUT / OH, SEE THIS CREATURE INCAPABLE OF EVOKING SYMPATHY / OH MODERN PROMETHEUS UNBREAKABLE AND BETTER MADE THAN ME / HOW DARE YOU RUN FROM THY SON, AND LEAVE ME SO UNGUIDED? I'M ABANDONED TO REPENT FOR THE LIFE THAT YOU'VE DECIDED / WHAT I WOULD DO TO FORM A SINGLE BOND AND PROVE THAT I AM KIND / INSTEAD YOU DRIVE ME TO DESOLATE YOUR LIFE AND PEACE OF MIND / BUT LOOK HERE, VICTOR, DON'T YOU SEE? EVERY SUTURE GUARANTEES, THE FIEND YOU'VE FEARED IS INSIDE THEE
|
||||
3. |
In His Image
04:29
|
|||
|
I N H I S I M A G E : WHEN I SEE PAIN ON MY MOTHER'S FACE / EVERY CREASE CARVED IN BY HIS MALAISE / WELL, I CAN'T HELP BUT STUTTER AND LOSE MY PLACE / NO, I DON'T WANNA LOOK LIKE HIM TODAY / WHEN I AM TOLD WHAT A MAN SHOULD SAY / AND I HEAR ABOUT HOW HE WAS SO GREAT / WELL, I THINK THAT I'D RATHER I LOSE MY WAY / WHEN I'M TOLD THAT I HAVE TO GROW UP TO BE BRAVE / DON'T BE LIKE YOUR MOTHER, DON'T CRY OR COMPLAIN / AND ALWAYS BE SURE TO BE PROUD OF YOUR NAME / WHY SHOULD I'VE BEEN MADE IN HIS IMAGE? WHY SHOULD I'VE BEEN MADE SO TIMID? WHY MUST I THINK, EVERY TIME I BLINK, OF HOW I HAVE HIS EYES? WHEN I TRY TO BE GOOD, WHERE HE TURNED AWAY / WELL, IT'S HARD WHEN MY MOTHER, ALONE IN BED, LAYS / AND SHE LOOKS ON AT ME WITH THAT DISTANT GAZE
|
||||
4. |
We're All Wild
03:03
|
|||
|
W E ' R E A L L W I L D : THERE'S A LADY IN HER GARDEN, SO FAIR AND FINE IS SHE / SHE WALKS UPON HER TOES, AND HER GLOVES ARE ALWAYS CLEAN / IF YOU GET A CHANCE TO SEE HER, YOU HAVE REASON TO DOTE / FOR WE'RE ALL WILD FOR SUCH BEAUTIFUL FOLK / HAVE YOU SEEN OL' JOE'S PONY? SHE DOES TRICKS YOU WON'T BELIEVE / YOU CAN CATCH THEM AT THE MARKET, WHERE HE'S ALSO SELLING BEEF / IF YOU GET A CHANCE TO SEE HER, YOU HAVE REASON TO STARE / FOR WE'RE ALL WILD FOR THAT LITTLE GOLDEN MARE / THERE ARE SKIES UP IN THE CITY SCRAPED BY THE RICHEST OF MANKIND / SHARP MEN WITH POLISHED SHOES AND CARS, ALL THE SMOKE YOU WILL NOT MIND / 'CAUSE IF YOU GET A CHANCE TO SEE IT, YOU HAVE REASON TO BRAG / FOR WE'RE ALL WILD FOR MR. MONEYBAGS / BUT DON'T SAY A WORD / FOR THE WORM IN THE DIRT / DARE NOT SPEAK / OF THE CATTLE RAISED FOR MEAT / HOLD YOUR TONGUE / WHEN THE SMOKE GETS IN YOUR LUNGS / FOR WE'RE ALL WILD FOR THE GLIMMER THAT WILL FADE / SO INSTEAD PRAISE THE HAND SEWING SEEDS IN THE DIRT THAT'S HERE TO STAY
|
||||
5. |
The Queen's Brigade
03:36
|
|||
|
T H E Q U E E N ' S B R I G A D E : ALL YOU SODA SIPPIN' FOOLS / NOT LIKE ME, NO / I CAN TALK TO ANIMALS / WE'RE FORMING A BRIGADE / TONIGHT I DINE WITH CANNIBALS / AND TOMORROW IT'S CHARADES / LOOK AT ME, DON'T LOOK AT ME / I'M YOUR QUEEN AND MY HANDS ARE CLEAN / MY OWN MARTYR, WON'T YOU WATCH ME BLEED? ALL YOU CITY SLICKIN' FOOLS / NOT LIKE ME, NO / MY GRASS IS CLEAN, MY SKY IS BLUE / AS I TAKE MY THRONE OF OAK / I'LL STICK MY WHOLE TONGUE OUT AT YOU / I'VE GOT ALL MY PONIES BROKE / ALL YOU TEARDROP DRIPPIN' FOOLS / NOT LIKE ME, NO / I BUILT A WALL AND THERE'S NOT ONE HIGHER / AND I CAN LOAD YOUR GUN / I'LL GUIDE YOUR AIM AND I'LL SHOUT "FIRE" / AND BEHIND MY WALL I'LL RUN
|
||||
If you like Riley Pinkerton, you may also like:
supported by 5 fans who also own “Do You Have A Car - EP”
There's something about this song that captivates me every time it's played. From Libby's angelic vocals to the warm banjo throughout, this is the song that should get you hooked on her music.
go to album
supported by 4 fans who also own “Do You Have A Car - EP”
Julien Baker is an acquired taste - assuming of course you’ve acquired great taste in singer songwriters… beautiful, devastating, honest, insightful… I’ve not heard a single song of hers that hasn’t left me in absolute awe.
go to album
supported by 4 fans who also own “Do You Have A Car - EP”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
go to album
The haunting new record from Canadian folk artist Avi C. Engel bridges old and new traditions with a minimalist approach.
go to album
The latest from Shana Cleveland is a Californian fantasia that conjures worlds both real and surreal.
go to album
A vibrant vision of "Central Americana" from the Costa Rica-based artist, blending heartland devotionals with playful Tropicália grooves.
go to album
Avalon
by The Huntress and Holder of Hands
supported by 4 fans who also own “Do You Have A Car - EP”
I find so much comfort and strength in Avalon. Thank you for this album Morgan. I'll support anything you do.
go to album
